TROMPE L'OEIL:
(pronounced "Trum-ploy" meaning "to fool the eye")
If an object of your attention seems real at first glance, then, once close, you realize it is painted, you have seen an example of this art.
Since this artist has much experience in realism, he takes special joy and is specially suited for trompe l'oeil. He is able to create exciting and dimensional scenes which truly look real; almost palpable (e.g. a window, landscape scene, portals, a lantern on a wall).
GROTTESCA:
Grotessca is the fine decorative art that was first found in the remains of Roman bath houses, called "egrottos", hence the name derivation. They were also found in the ruins of Pompeii, and the ruins of Nero's palace. Essentially wall and ceiling decorations, the art was revived during the renaissance and is becoming increasingly popular in fine homes and public places today.
The art consists of weightless, imaginary architectural designs, which often incorporate hybrid half-animal, half-human figures growing out of flora and fauna. It is an art form characterized by objects and designs floating without support. Grotessca can be oriental in flavor and displays a classical and western sense of symmetry. It is effectively used in wall hangings and decorative panels in finely decorated rooms.
MURALS:
In his New York studies, Paul learned the techniques of applying fine art to walls and ceilings. This education included what materials to use, application technique, as well as how to make a durable and lasting artwork on permanent surfaces. He has also studied the latest methods of the "Frescoes" applications.
FAUXSTONE:
This is a process in which a thin, plaster-like material is applied over an artwork, and than aesthetically removed in varying degrees. The goal is to create an old-world patina, with an aged look. The materials used in this technique are so durable that it can even be used outdoors and will last indefinitely. Recently Paul completed a dramatic wood valance (13') with painted impressionistic bougainvillea flowers done in this style. Both interior and exterior spaces can benefit from this treatment.
CRACKLING:
I use one or two coats of Setcoat and allow it to dry for 1-2 hours. I then apply Crackle Size, a clear water-based acrylic coating. This dries until slightly sticky to the touch after which crackle material is applied. As it contracts, thinly painted passages are revealed underneath. This technique can yield fine cracks or wider ones depending on the desired effects. For example, to achieve a more rustic look crackling can be applied before the faux stone or else afterwards, for a clearer image.
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